motorharp: line drawing of kid with glasses intently reading (Default)
I interfaced the entire front bodice of my circle dress based on the example dress I deconstructed. I found that Pellon 865F Bi-Stretch Lite was closest in look and feeling to the interfacing in the RTW dress. 

Also, it did not have the normal sewing industry interfacing instructions - hold the iron on one area for 10-15 seconds. They said to glide the iron across the surface. And I had just read Fashion Incubator's "How to apply interfacing", in which Kathleen Fasanella said basically the same thing, but much more in depth. I used to hate fusing interfacing because it took so long! Just ironing it on is such a relief.

After I figure out whether I need stabilizers on my back darts, I intend to construct the dress using a combination of what I learned from the RTW dress and, again on Fashion Incubator, articles about "A better way to sew linings and facings" part 1 and part 2.

The article "Interfacing, 10 tips" has good info, too.

I sewed the circle dart and the CF seam. The circle seams are 1/4" and the CF seam is 3/8".  Sewing a curved seam with 1/4" SAs is so amazingly easy. I did not have to clip anything and it went together so smoothly. SO SMOOTHLY.

Oh, and I may need to trim the back darts?

motorharp: line drawing of kid with glasses intently reading (Default)
Before I reconstruct the dress I deconstructed (and make another dress - posts to follow), I am making a practice lapped zipper using Kathleen Fasanella's method, starting with cutting out the pattern.

I assembled my constrasting fabrics, 7" zipper, scissors, and oak tag paper (left over from making a tie for a facebook meme-thingy, which also included the Geordie La Forge sleep mask, which Wil Wheaton then made explode all over the internets (well, a tiny corner anyway)).



Uh. Where was I. Oh, right. And I need a stapler. OH! And a hammer! Yay! I found I like using oak tag as pattern paper - it's easier to keep everything in place. I started out fusing the facings, ie interfacing them, but quickly lost interest.

The neck seam allowance is 1/4" and everything else is 3/8". I noticed this on the deconstructed dress, as well. Where, when, and why did the 5/8" seam allowance come into play in commercial home sewing patterns?

I'm so used to following commercial sewing patterns where you're instructed to "sew in the middle of the zipper tape" that I didn't realize the seam allowances apply to sewing on the zipper in this case. I did noticed her stitching is really close to the zipper teeth, which I tried to replicate. But then I had a hard time moving the zipper pull.


And the top doesn't close that well. I'm starting to feel like I suck at sewing again.

First try. Yes. First.

Side note: This post is an edited version of notes I took during construction, and I actually did come up with this thought early on. "Ok. Thinking this through: the placement of the stitching line on the zipper tape doesn't really matter because it's the notch in the fabric at the neckline, indicating where to fold it, which results the lap." THE FOLD LINE IS THE IMPORTANT THING. I know this when sewing a regular lapped zipper, but for some reason, folding it right sides together folded my brain.

"Clipping at the bottom of the seam 1/4" does nothing unless you want the seams pressed to one side? You would have to clip 3/8" to get it to lay flat." I still don't get this.

Since the first try wasn't great, I tried again. I really don't like doing things twice. It's one of the reasons I hate writing: editing.

Second try. I pulled a zipper out of my stash because I thought, "Surely, I will not need this anymore and I can reuse this".

The top was uneven, probably because I didn't cut the zipper to length. And the zipper slider pushed the lap open so you could see the zipper tape when it was supposed to be closed.*

So I tried again. I forgot to take a picture of the third try.

On this one I tried to make the lap wider so as to hide the zipper pull. I had the hardest time figuring it out. I thought I was reeeeally overthinking it, then I wasn't, then I was, etc, and ended up with about 50 bajillion "Oh, add 1/8" here and subtract it here" written on the patterns. It didn't work.


Fourth try. You can see I'm getting tired of taking out threads.


Fifth try! I finally figured it out! You need to extend both edges of the center back zipper seam allowances only. The more you extend, the further to the side it goes. So, theoretically, you could make a lapped zipper where the person in the seat next to you could unzip it for you. And so, correspondingly, the facings need to be adjusted. On the right, you would simply add the same amount you added to the seam. On the left, you would SUBTRACT. Think about it after looking at the picture.




Of course, in this example the left neck facing would be -8 inches long, thereby creating a rift in the space-time continuum and you would get dumped out in Ladd's Addition never to be seen again (inside joke with gorthx , haha).


Fifth try with 1/8" wider lap and zipper pull well hidden. Jeezy Creezy!

*And boy, were these zippers cheap! I'm glad I used these for this project and not something in which I actually wanted to have functioning zippers. The zipper pulls on both ended up crooked in the slider, and while straightening one of them, I actually tore it off with my bare hands, and I have laughable pinching strength. The zipper stop on one just... fell off.
motorharp: line drawing of kid with glasses intently reading (Default)

Mostly notes for myself, but may be of interest to you if you want to improve your sewing.

 In her book "The Entreprenuer's Guide to Sewn Product Manufacturing", Kathleen Fasanella (who also writes Fashion Incubator, noticing a trend?) recommended taking apart ready-to-wear clothing to see how it's made and reverse engineer it.  To further combat my sewing indifference, I'm doing that with a dress from the thrift store. I've already learned so much. 

Like, yes, they use a ton of interfacing. A ton.

One thing I'm confused about which I need clearing up, though, is the lining.  Now, Fasanella and a few other tailoring books I've read say the lining has to be bigger than the garment because it hugs the curves of body more than the garment (and therefore would have more surface area).  However, this doesn't seem to be plausible: if the lining is bigger, it's going to roll to the outside of the garment.  The dress I'm taking apart would seem to agree with me: there are creases in the lining taking up ease which are obviously from wearing the dress.  If the lining is folding over on itself when the dress is worn, wouldn't that mean there is too much fabric in the lining, ie the lining is too big

I'll be adding more as I go.

motorharp: line drawing of kid with glasses intently reading (Default)
I read something on the web recently about hemming jeans, but I can't find it in my history. It was about hammering the thicker part of the hem where the side and inside leg seams meet it to flatten it for easier sewing. I also read a post on Fashion Incubator that talked about a hammering things that you've sewn, but with a special sewing hammer.

I tried it, of course, because who does't like smashing things with a hammer, especially while sewing? I point you again to the link that shows exactly what I look like when sewing (starting around 2:40, anyway).

Basically, press the hem into your jeans, then go at it with a hammer. It works pretty well. Instead of getting hung up going over the seams, my machine just strained a little.

Profile

motorharp: line drawing of kid with glasses intently reading (Default)
motorharp

March 2025

S M T W T F S
      1
2345678
9101112131415
16171819202122
23242526272829
3031     

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated 23 Apr 2025 09:34 am
Powered by Dreamwidth Studios